A recording of the talk I presented at the Psychoanalysis, Art and the Occult conference in London in 2016 – ‘Art As Alchemy’ – is included in Rendering Unconscious, a new podcast by Vanessa Sinclair, who organised the conference. You can listen to it here:
John Barleycorn Reborn, a 3 CD compilation put together by Mark Coyle in 2007, has been re-released as a lovely 4 LP boxset on gold vinyl by Burning World Records. As well as a track by me called ‘Horn Dance’, inspired by the Abbots Bromley Horn Dance the compilation includes tracks by The Owl Service, Kitchen Cynics, Sieben, Pumajaw and English Heretic.
I finally decided to take the plunge into the world of Twitter. I’ve been thinking of doing so for a while and held off partly out of inertia and partly because social media seems a necessary evil rather than something I embrace.
To my surprise, I’m enjoying it so far. This might be because I’m participating in #TheDarkIsRising; a Twitter group-read of Susan Cooper’s The Dark Is Rising, one of my favourite fantasy books. Also, I’m only slowly starting to follow people, choosing people whose ideas I’m interested in. This secluded pocket of the Twitterscape seems benign, welcoming and stimulating and reminds me of the early days of the Internet; when people created websites for the fun of it and discussed books, music, politics, etc. on bulletin boards. Maybe the novelty will wear off but I hope not!
Four years ago I wrote a children’s story about shapeshifting for my young friends, Lucy and Jay. They loved it, so I’d been planning on looking for a publisher for it. Time flew by and other projects took priority, so it got put on the back burner. Now it’s finally being published by Wyrd Harvest Press.
All proceeds will go to The Wildlife Trusts
I have a track on ‘From The Furthest Signals‘; the latest compilation to be released by A Year In The Country. Other contributors include David Colohan, Sproatly Smith and The Hare and The Moon. My beautifully packaged contributor copies arrived in the post yesterday, as did hardback and paperback copies of Fenris Wolf 9, which includes my essay ‘Art As Alchemy’.
The paper I presented at last year’s Psychoanalysis, Art & the Occult conference – ‘Art as Alchemy’ is published in the new edition of The Fenris Wolf, along with the other papers presented at that conference.
I’ve recorded the song I wrote for DRY Project‘s ‘The Reasons in the Fens’, with the help of James Street and Dean Honer. I made a video to go with it using footage I filmed when I was in the Fens for the project and photos people connected with the project sent me.
Rusalnaia’s ‘Time Takes Away’ will get a vinyl release this year courtesy of Feeding Tube Records. The test pressing of the album arrived last week and is sounding good.
The album made it onto Thomas Blake’s Top 10 Albums of 2016 list at Folk Radio UK:
‘Trans-Atlantic duo Sharron Kraus and Gillian Chadwick created the years witchiest, headiest brew of incantatory psych-folk, often switching during the space of a single song from pretty pastoralia to full-on space-rock freak-out mode. It makes for an exhilarating listen, and a great introduction to the impressive careers of both of its creators.’