I’m launching a podcast – Preternatural Investigations – soon. I’ll be covering topics including the magic we experience in certain places, as a result of participating in certain kinds of activity, in response to art, music and literature, and in nature; the relationship between fictional representations of magic and the preternatural magic we can experience in the world, at wonder, imagination and the ability to find new ways of seeing familiar things, the way fictional and other constructed worlds intersect with and are grafted onto the natural world, enabling us to experience the world as a many-layered palimpsest that draws us in, leads us on, and reveals itself to us at the same time as giving us insights into aspects of ourselves.
The first episode of twelve will air on Sunday 23rd August.
My performance of Martin Arnold’s ‘The Gay Goshawk’ with Martin, Angharad Davies and the Scottish Symphony Orchestra at Tectonics, was aired on Radio 3’s New Music Show last night and you can listen again here.
The end of last year was a busy time for me and I got behind on news. So, belatedly, here’s a roundup of some reviews and articles that appeared late in 2018.
There were print reviews for Joy’s Reflection in Shindig! – 5 stars, ‘Not only is this probably Sharron Kraus’ best work, it’s one of the best albums you’ll hear this year.’ – RnR – 4 stars, ‘dreamy, haunting music’ – and Prog magazine – ‘a fine showcase for Kraus’.
There was a nice review of my Ghost Box single at Concrete Islands – ‘The overall effect is more akin to Alan Garner’s Weirdstone of Brisingamen than Tolkien however. Garner brings one close to the magic without getting rid of the pylons. So too do Sharron Kraus and Ghost Box’ – and MOOF magazine reviewed the Cafe Oto show I played together with Beautify Junkyards. Ned Raggett wrote a kind of retrospective feature on my work for Bandcamp.
Joy’s Reflection was included in a handful of end of year lists: FRUK, Concrete Islands, music won’t save you, and I was asked to contribute to Delusions of Adequacy‘s end of year list by choosing a favourite album of the year. I chose Aby Vulliamy’s Spin Cycle, which I’d been listening to over and over after playing shows with Aby in October.